COLLECTOR

Willapa Bay, WA and Escalante, UT
2006 - 2008

  • Related articles:
    Bellevue Art Museum Exhibition Catalog - Catalani 2008
    Bellevue Art Museum Exhibition Catalog - Schnoor 2008
    Artweek 2008
    Sculpture 2008
    Sculpture 2010
    American Craft 2010
    Stranger 2008

    Collector was anchored to an oyster bed in Willapa Bay (WA) for 16 months. Crustaceans grew on the sculpture’s surfaces and were harvested and eaten. It was then bolted to the front of a truck and driven 1500 miles to the Escalante desert in Southern Utah. The two halves of the sculpture were designed to swing into the shape of the letter “S” to fit within a specific twist in a remote slot canyon selected and measured two years before. In the intervening two years, the opening had become choked with wood and rock debris from seasonal flooding. This required altering the original vision of setting the completed sculpture into this slot canyon, where it would eventually be scoured by floodwaters. Instead, the sculpture was installed on the mesa above and suspended within an improvised wood frame where it provided unusual sustenance for desert birds.

    IMAGES

    Collector, Willapa Bay, WA, and Escalante, UT, 2006 – 2008. 7’ x 1’ x 1’, Teak. After installation in a mesa in Washington, the sculpture was retrieved and exhibited first at the Bellevue Art Museum (WA) in 2008, then at Cynthia Reeves Gallery (NY) in 2010. It is currently in the private collection of Duke Energy in Charlotte, NC.

COLLECTOR

Willapa Bay, WA and Escalante, UT
2006 - 2008


Related articles:
Bellevue Art Museum Exhibition Catalog - Catalani 2008
Bellevue Art Museum Exhibition Catalog - Schnoor 2008
Artweek 2008
Sculpture 2008
Sculpture 2010
American Craft 2010
Stranger 2008

Collector was anchored to an oyster bed in Willapa Bay (WA) for 16 months. Crustaceans grew on the sculpture’s surfaces and were harvested and eaten. It was then bolted to the front of a truck and driven 1500 miles to the Escalante desert in Southern Utah. The two halves of the sculpture were designed to swing into the shape of the letter “S” to fit within a specific twist in a remote slot canyon selected and measured two years before. In the intervening two years, the opening had become choked with wood and rock debris from seasonal flooding. This required altering the original vision of setting the completed sculpture into this slot canyon, where it would eventually be scoured by floodwaters. Instead, the sculpture was installed on the mesa above and suspended within an improvised wood frame where it provided unusual sustenance for desert birds.

IMAGES

Collector, Willapa Bay, WA, and Escalante, UT, 2006 – 2008. 7’ x 1’ x 1’, Teak. After installation in a mesa in Washington, the sculpture was retrieved and exhibited first at the Bellevue Art Museum (WA) in 2008, then at Cynthia Reeves Gallery (NY) in 2010. It is currently in the private collection of Duke Energy in Charlotte, NC.

PROCESS

When Collector was anchored to Willapa bay amidst oyster beds, it was loosely tethered to its metal and PVC foundation with nylon cord and aluminium attachments. While it was anticipated that the sculpture would eventually wear itself loose through the incremental rubbing of cord on wood and degeneration of aluminium from salt water, the question remained: how long would this take? The second unknown was the length of time it would take for large, edible oysters to grow on the surface of the sculpture. In response to these uncertainties, it was decided that the sculpture would not be removed until the oysters were large enough to eat. If it happened that the sculpture tore loose from its tether before that time, then that would be the end of its known history. Fortunately, the sculpture remained tethered long enough to cultivate, harvest and eat the oysters with the local oyster farming community. The long journey to the desert with the sculpture strapped to the front (then top) of the truck was punctuated with intermittent stops from law enforcement. A dark wall of dead insects accumulated on the sculpture during its journey. The dead insects coupled with the variety of crustaceans and seaweed on its surfaces, provided unusual sustenance for desert wrens.

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